Produced for: A1, A2, A4, B1 & B4 - Brown Sugar Productions A5 - Jimmy George Productions B2 - D&B Productions B5 - A Soho Production Recorded at Ameraycan Studios except: B5 - Greene Street Recording Mixed at Larrabee Sound Manufactured and Marketed by PolyGram Records, Inc. Printed in U.S.A. ℗ 1984 PolyGram Records, Inc. Except A3 - 1983 Personal Records B2 - 1984 Personal Records © MCMLXXXIV Cannon Films, Inc. Track B1 'Dedicated to the Memory of Irwin Schuster'. Default programs on mac. Turn onyour camera, and view the image. This willensure that your camera reads the image. YOu are now done. If it says File error or youcannot find the image, then the process is a bit more complicated. Lg flip phone transfer pictures. Also available on Cassette (823 696-4 Y-1) and Compact Disc (823 696-2 Y-1). Toi Overton and Paulette McWilliams appeared courtesy of Brown Sugar Productions. Attala Zane Giles and Darryl Phinnessee appeared courtesy of Qwest Records. George Kranz and Midway appeared courtesy of Personal Records. Thanks to: Jeff Sydney, Trish McGuirk, Narvelan Hunt, Dolores Kaniger and Jack Mills at Larrabee Sound, Fred Moultrie Accountancy, Emily J. Shenkin, Trudie Green and Michael Rosenfeld at Front Line Management, Ray Parker, Jr., Mark Magavero, Zieljan and Duraline. Special thanks to: Yoram Globus, Menahem Golan, Micky Hyman, Paula Erickson, and Cannon Films. Breakin' 2 Electric Boogaloo -The 1984 Dance / Music movie featuring Lucinda Dickey and Adolfo Quinones at the award winning 80s Movies Rewind. 8 pages of info, trailer, pictures and more. Nothing in the world can prepare you for Breakin 2: Electric Boogaloo. No description does it justice, no warning truly gives you an idea of what you are in store for. Few movies are as bizarre, yet oddly compelling at the same time. Because one movie wasn't enough to contain these people; Breakin 2 picks up where the first movie picks off. Or so I assume, I haven't seen Breakin, but the three main characters Kelly (Lucinda Dickey), Ozone (Adolfo Quinones) and Turbo (Michael Chambers) are the same. In this installment the trio try to save a youth center named Miracles from the clutches of evil (read: white and unhip) government bigwigs who want to bulldoze the unsafe building and make way for a new shopping center. It's fortunate that the trio live in an alternate universe in which breakdancing can solve all of society's ills. No exaggeration here; over the course of ninety-four boogie filled minutes, dancing stops bulldozers, pays bills, ends gang wars, and even cures the ill and the infirm (One person bounds out of the wheelchair in jubilation; apparently they simply forgot they could walk). There is so much dancing in this movie that it frequently appears that the plot is intruding on it, and not the other way around.
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